Episode 60, Albert Camus’ The Fall (Part IV - Further Analysis and Discussion)

Classic Cast.jpg

Welcome to 'Episode 60 (Part IV)', where we'll be engaging in some further analysis and discussion.

Hello good sir! If you do not mind me saying, you look as if you’re in limbo.

Lost? It might please you to know that most of the tourists, and the locals for that matter, don’t know where they’re heading in these parts.

If I could be so bold as to make an assessment, I would take you for the sophisticated type but with a little bit of an edge? Your smile says it all. Nothing wrong with indulging in the simple things in life every now and then.

Do you see that bar over there? Yes, the one with the peculiar name. Mexico City, here in Amsterdam. You’ll likely find one or two characters in that place; the brute who runs the place for instance. On a good night, you can end up in the type of conversation which only drunken stranger can have – putting the world to rights. On an even better night, you might learn something about yourself.

Intrigued? I knew you were an adventurous sort the moment I lay eyes on you. Enjoy your time here in Amsterdam. No better place in the world for a bit of escapism! The only problem some have is not being able to escape the thought of it after they visit! What? Oh, I meant nothing by it. A slip of the tongue.

Before you leave, can I make one final suggestion? I’d take the coat off if I were you. This place can get a lot hotter than limbo if you catch my drift…

The file size is large, please be patient whilst the podcast buffers/downloads/jumps of a bridge

Contents

Part I. Introduction.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Episode 60, Albert Camus’ The Fall (Part III - The Meaning)

Classic Cast.jpg

Welcome to 'Episode 60 (Part III)', where we'll be discussing the meaning of The Fall.

Hello good sir! If you do not mind me saying, you look as if you’re in limbo.

Lost? It might please you to know that most of the tourists, and the locals for that matter, don’t know where they’re heading in these parts.

If I could be so bold as to make an assessment, I would take you for the sophisticated type but with a little bit of an edge? Your smile says it all. Nothing wrong with indulging in the simple things in life every now and then.

Do you see that bar over there? Yes, the one with the peculiar name. Mexico City, here in Amsterdam. You’ll likely find one or two characters in that place; the brute who runs the place for instance. On a good night, you can end up in the type of conversation which only drunken stranger can have – putting the world to rights. On an even better night, you might learn something about yourself.

Intrigued? I knew you were an adventurous sort the moment I lay eyes on you. Enjoy your time here in Amsterdam. No better place in the world for a bit of escapism! The only problem some have is not being able to escape the thought of it after they visit! What? Oh, I meant nothing by it. A slip of the tongue.

Before you leave, can I make one final suggestion? I’d take the coat off if I were you. This place can get a lot hotter than limbo if you catch my drift…

The file size is large, please be patient whilst the podcast buffers/downloads/jumps of a bridge

Contents

Part I. Introduction.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Episode 60, Albert Camus’ The Fall (Part II - The Plot Continued)

Classic Cast.jpg

Welcome to 'Episode 60 (Part II - Continued)', where we'll be continuing to unpack the plot of Albert Camus’ The Fall.

Hello good sir! If you do not mind me saying, you look as if you’re in limbo.

Lost? It might please you to know that most of the tourists, and the locals for that matter, don’t know where they’re heading in these parts.

If I could be so bold as to make an assessment, I would take you for the sophisticated type but with a little bit of an edge? Your smile says it all. Nothing wrong with indulging in the simple things in life every now and then.

Do you see that bar over there? Yes, the one with the peculiar name. Mexico City, here in Amsterdam. You’ll likely find one or two characters in that place; the brute who runs the place for instance. On a good night, you can end up in the type of conversation which only drunken stranger can have – putting the world to rights. On an even better night, you might learn something about yourself.

Intrigued? I knew you were an adventurous sort the moment I lay eyes on you. Enjoy your time here in Amsterdam. No better place in the world for a bit of escapism! The only problem some have is not being able to escape the thought of it after they visit! What? Oh, I meant nothing by it. A slip of the tongue.

Before you leave, can I make one final suggestion? I’d take the coat off if I were you. This place can get a lot hotter than limbo if you catch my drift…

The file size is large, please be patient whilst the podcast buffers/downloads/jumps of a bridge

Contents

Part I. Introduction.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Episode 60, Albert Camus’ The Fall (Part II - The Plot)

Classic Cast.jpg

Welcome to 'Episode 60 (Part II)', where we'll be unpacking the plot of Albert Camus’ The Fall.

Hello good sir! If you do not mind me saying, you look as if you’re in limbo.

Lost? It might please you to know that most of the tourists, and the locals for that matter, don’t know where they’re heading in these parts.

If I could be so bold as to make an assessment, I would take you for the sophisticated type but with a little bit of an edge? Your smile says it all. Nothing wrong with indulging in the simple things in life every now and then.

Do you see that bar over there? Yes, the one with the peculiar name. Mexico City, here in Amsterdam. You’ll likely find one or two characters in that place; the brute who runs the place for instance. On a good night, you can end up in the type of conversation which only drunken stranger can have – putting the world to rights. On an even better night, you might learn something about yourself.

Intrigued? I knew you were an adventurous sort the moment I lay eyes on you. Enjoy your time here in Amsterdam. No better place in the world for a bit of escapism! The only problem some have is not being able to escape the thought of it after they visit! What? Oh, I meant nothing by it. A slip of the tongue.

Before you leave, can I make one final suggestion? I’d take the coat off if I were you. This place can get a lot hotter than limbo if you catch my drift…

The file size is large, please be patient whilst the podcast buffers/downloads/jumps of a bridge

Contents

Part I. Introduction.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Credits

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Episode 60, Albert Camus’ The Fall (Part I - Introduction)

Classic Cast.jpg

Welcome to 'Episode 60 (Part I)', where we'll be introducing Albert Camus and The Fall.

Hello good sir! If you do not mind me saying, you look as if you’re in limbo.

Lost? It might please you to know that most of the tourists, and the locals for that matter, don’t know where they’re heading in these parts.

If I could be so bold as to make an assessment, I would take you for the sophisticated type but with a little bit of an edge? Your smile says it all. Nothing wrong with indulging in the simple things in life every now and then.

Do you see that bar over there? Yes, the one with the peculiar name. Mexico City, here in Amsterdam. You’ll likely find one or two characters in that place; the brute who runs the place for instance. On a good night, you can end up in the type of conversation which only drunken stranger can have – putting the world to rights. On an even better night, you might learn something about yourself.

Intrigued? I knew you were an adventurous sort the moment I lay eyes on you. Enjoy your time here in Amsterdam. No better place in the world for a bit of escapism! The only problem some have is not being able to escape the thought of it after they visit! What? Oh, I meant nothing by it. A slip of the tongue.

Before you leave, can I make one final suggestion? I’d take the coat off if I were you. This place can get a lot hotter than limbo if you catch my drift…

The file size is large, please be patient whilst the podcast buffers/downloads/jumps of a bridge

Contents

Part I. Introduction.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Episode 55, Franz Kafka's Metamorphosis (Part IV - Further Analysis and Discussion)

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Welcome to 'Episode 55 (Part IV)', where we'll be engaging in some further analysis and discussion.

Published in 1915, Franz Kafka’s The Metamorphosis is a gruelling and ironic depiction of the pressures imposed by family and profession in the Twentieth Century. The novella centres around travelling salesman Gregor Samsa who, one morning, finds himself transformed into an insect. What follows, depending on the interpretation, is a reflection of how modern life provides a misunderstanding of predicament and a lack of empathy towards those who have been beaten down by an unforgiving capitalist system.

Equally, The Metamorphosis asks questions of Gregor himself. Over time he has continued to disregard his own well-being and autonomy, seeing himself as the saviour of his family’s debts. Yet, by doing so, he has missed the fact that his family appear to resent the house he has chosen to rent, or that their debts are not quite as bad as they seemed. He has taken a cross which he need not have beared.

In the words of Vladimir Nabokov, “In The Metamorphosis, contract and unity, style and matter, manner and plot are most perfectly integrated”.

The file size is large, please be patient whilst the podcast buffers/downloads/transforms into a giant bug

Contents

Part I. The Life of Franz Kafka.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Episode 55, Franz Kafka's Metamorphosis (Part III - The Meaning)

Classic Cast.jpg

Welcome to 'Episode 55 (Part III)', where we'll be be discussing the symbolism in Kafka’s The Metamorphosis.

Published in 1915, Franz Kafka’s The Metamorphosis is a gruelling and ironic depiction of the pressures imposed by family and profession in the Twentieth Century. The novella centres around travelling salesman Gregor Samsa who, one morning, finds himself transformed into an insect. What follows, depending on the interpretation, is a reflection of how modern life provides a misunderstanding of predicament and a lack of empathy towards those who have been beaten down by an unforgiving capitalist system.

Equally, The Metamorphosis asks questions of Gregor himself. Over time he has continued to disregard his own well-being and autonomy, seeing himself as the saviour of his family’s debts. Yet, by doing so, he has missed the fact that his family appear to resent the house he has chosen to rent, or that their debts are not quite as bad as they seemed. He has taken a cross which he need not have beared.

In the words of Vladimir Nabokov, “In The Metamorphosis, contract and unity, style and matter, manner and plot are most perfectly integrated”.

The file size is large, please be patient whilst the podcast buffers/downloads/transforms into a giant bug

Contents

Part I. The Life of Franz Kafka.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Episode 55, Franz Kafka's Metamorphosis (Part II - The Plot)

Classic Cast.jpg

Welcome to 'Episode 55 (Part II)', where we'll be discussing the plot of The Metamorphosis.

Published in 1915, Franz Kafka’s The Metamorphosis is a gruelling and ironic depiction of the pressures imposed by family and profession in the Twentieth Century. The novella centres around travelling salesman Gregor Samsa who, one morning, finds himself transformed into an insect. What follows, depending on the interpretation, is a reflection of how modern life provides a misunderstanding of predicament and a lack of empathy towards those who have been beaten down by an unforgiving capitalist system.

Equally, The Metamorphosis asks questions of Gregor himself. Over time he has continued to disregard his own well-being and autonomy, seeing himself as the saviour of his family’s debts. Yet, by doing so, he has missed the fact that his family appear to resent the house he has chosen to rent, or that their debts are not quite as bad as they seemed. He has taken a cross which he need not have beared.

In the words of Vladimir Nabokov, “In The Metamorphosis, contract and unity, style and matter, manner and plot are most perfectly integrated”.

The file size is large, please be patient whilst the podcast buffers/downloads/transforms into a giant bug

Contents

Part I. The Life of Franz Kafka.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Episode 55, Franz Kafka's Metamorphosis (Part I - The Life of Kafka)

Classic Cast.jpg

Welcome to 'Episode 55 (Part I)', where we'll be discussing the life of Franz Kafka.

Published in 1915, Franz Kafka’s The Metamorphosis is a gruelling and ironic depiction of the pressures imposed by family and profession in the Twentieth Century. The novella centres around travelling salesman Gregor Samsa who, one morning, finds himself transformed into an insect. What follows, depending on the interpretation, is a reflection of how modern life provides a misunderstanding of predicament and a lack of empathy towards those who have been beaten down by an unforgiving capitalist system.

Equally, The Metamorphosis asks questions of Gregor himself. Over time he has continued to disregard his own well-being and autonomy, seeing himself as the saviour of his family’s debts. Yet, by doing so, he has missed the fact that his family appear to resent the house he has chosen to rent, or that their debts are not quite as bad as they seemed. He has taken a cross which he need not have beared.

In the words of Vladimir Nabokov, “In The Metamorphosis, contract and unity, style and matter, manner and plot are most perfectly integrated”.

The file size is large, please be patient whilst the podcast buffers/downloads/transforms into a giant bug

Contents

Part I. The Life of Franz Kafka.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Episode 54, Why Buddhism is True with Robert Wright (Part II)

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Welcome to 'Episode 54 (Part II)', where we'll be engaging in some further analysis and discussion.

Currently Visiting Professor of Science and Religion at Union Theological Seminary in the City of New York, Robert Wright’s work in journalism, psychology and philosophy has been deeply influential. Robert is the author of many best-selling books including ‘The Moral Animal: Why We Are the Way We Are: The New Science of Evolutionary Psychology’, ‘Nonzero: The Logic of Human Destiny’, ‘The Evolution of God’, and most recently, ‘Why Buddhism is True: The Science and Philosophy of Meditation and Enlightenment’.

Our focus for this episode is Robert Wright’s latest book, Why Buddhism is True. In a word, Wright defends the Buddhist view that ‘the reason we suffer is because we don’t see the world clearly’. The reason we don’t see the world clearly, says Buddhism, is because our perception of our own minds and ‘the outside world’ is impaired by illusions. Viewing Buddhism through the lens of evolutionary psychology, Wright argues that we have good reason to think that this Buddhist claim (that suffering is caused by illusion) is true, and that Buddhism also holds the answer to how we can alleviate ourselves from illusion and suffering.

The file size is large, please be patient whilst the podcast buffers/downloads/silently meditates

Contents

Part I. Why Buddhism is True.

Part II. Further Analysis and Discussion.

Episode 54, Why Buddhism is True with Robert Wright (Part I)

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Welcome to 'Episode 54 (Part I)', where we'll be discussing why Robert Wright thinks Buddhism is true.

Currently Visiting Professor of Science and Religion at Union Theological Seminary in the City of New York, Robert Wright’s work in journalism, psychology and philosophy has been deeply influential. Robert is the author of many best-selling books including ‘The Moral Animal: Why We Are the Way We Are: The New Science of Evolutionary Psychology’, ‘Nonzero: The Logic of Human Destiny’, ‘The Evolution of God’, and most recently, ‘Why Buddhism is True: The Science and Philosophy of Meditation and Enlightenment’.

Our focus for this episode is Robert Wright’s latest book, Why Buddhism is True. In a word, Wright defends the Buddhist view that ‘the reason we suffer is because we don’t see the world clearly’. The reason we don’t see the world clearly, says Buddhism, is because our perception of our own minds and ‘the outside world’ is impaired by illusions. Viewing Buddhism through the lens of evolutionary psychology, Wright argues that we have good reason to think that this Buddhist claim (that suffering is caused by illusion) is true, and that Buddhism also holds the answer to how we can alleviate ourselves from illusion and suffering.

The file size is large, please be patient whilst the podcast buffers/downloads/silently meditates

Contents

Part I. Why Buddhism is True.

Part II. Further Analysis and Discussion.

Episode 53, Friedrich Nietzsche (Part IV - Further Analysis and Discussion)

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Welcome to 'Episode 53 (Part IV)', where we'll be engaging in some further analysis and discussion.

Friedrich Nietzsche (1844-1900), a man who suffered greatly from bodily ills, considered himself somewhat of a physician. Yet, his remedies were not aimed towards physical conditions of the body, but rather the personal and societal ills of his time. Nietzsche, often poetically and rhetorically, dissected what he perceived to be the root of the suffering or apathy many of his contemporaries were facing.

His diagnosis focussed primarily on the human tendency to deny life. Life denying, for Nietzsche, came in many ways: the asceticism of the Buddha or Arthur Schopenhauer, the herd-like mentality of what Nietzsche called “the Last Man”, and most famously – the otherworldly illusions of Christianity. To him, these were all attempts to cower in the face of an objectively indifferent reality.

Nietzsche’s prognosis? To stand in the face of this indifference and shout yes! To affirm life and strive for personal excellence. How he envisioned this is subject to much scholarly debate but Nietzsche provides certain clear themes over his prolific authorship.

His masterwork Thus Spoke Zarathustra suggests we should look forward to the “Ubermensch” or “Superman”, a spiritually healthier individual who approaches the world in an honest and fearless way. Similarly, continuing his claim from The Gay Science, Thus Spoke Zarathustra also reminds the reader that “God is dead”. Nietzsche wanted people to recognise the void in values left by God’s absence and the responsibility we have been given to create our own meaning.

Nietzsche’s legacy is an interesting one. Thus Spoke Zarathustra, along with the Bible, ironically, were given to German soldiers during the First World War. He also, after his death, was accused of being a proto-Nazi due to his sister’s influence over his final posthumous works.

Nietzsche’s thoughts on his own works are remarkable in their irony and grandiosity. He hoped his messages would strike a chord with people and force them to look deep into their own intentions and actions. He also hoped they would provide a basis for personal change.

A passage from Ecce Homo gives us an insight into his style and desired effect:

“I know my fate. One day my name will be associated with the memory of something tremendous — a crisis without equal on earth, the most profound collision of conscience, a decision that was conjured up against everything that had been believed, demanded, hallowed so far. I am no man, I am dynamite.”

The file size is large, please be patient whilst the podcast buffers/downloads/wills itself to power

Contents

Part I. The Life of Nietzsche

Part II. Thus Spoke Zarathustra

Part III. Beyond Good and Evil

Part IV. Further Analysis and Discussion

Episode 53, Friedrich Nietzsche (Part III - Beyond Good and Evil)

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Welcome to 'Episode 53 (Part III)', where we'll be discussing Nietzsche’s Beyond Good and Evil.

Friedrich Nietzsche (1844-1900), a man who suffered greatly from bodily ills, considered himself somewhat of a physician. Yet, his remedies were not aimed towards physical conditions of the body, but rather the personal and societal ills of his time. Nietzsche, often poetically and rhetorically, dissected what he perceived to be the root of the suffering or apathy many of his contemporaries were facing.

His diagnosis focussed primarily on the human tendency to deny life. Life denying, for Nietzsche, came in many ways: the asceticism of the Buddha or Arthur Schopenhauer, the herd-like mentality of what Nietzsche called “the Last Man”, and most famously – the otherworldly illusions of Christianity. To him, these were all attempts to cower in the face of an objectively indifferent reality.

Nietzsche’s prognosis? To stand in the face of this indifference and shout yes! To affirm life and strive for personal excellence. How he envisioned this is subject to much scholarly debate but Nietzsche provides certain clear themes over his prolific authorship.

His masterwork Thus Spoke Zarathustra suggests we should look forward to the “Ubermensch” or “Superman”, a spiritually healthier individual who approaches the world in an honest and fearless way. Similarly, continuing his claim from The Gay Science, Thus Spoke Zarathustra also reminds the reader that “God is dead”. Nietzsche wanted people to recognise the void in values left by God’s absence and the responsibility we have been given to create our own meaning.

Nietzsche’s legacy is an interesting one. Thus Spoke Zarathustra, along with the Bible, ironically, were given to German soldiers during the First World War. He also, after his death, was accused of being a proto-Nazi due to his sister’s influence over his final posthumous works.

Nietzsche’s thoughts on his own works are remarkable in their irony and grandiosity. He hoped his messages would strike a chord with people and force them to look deep into their own intentions and actions. He also hoped they would provide a basis for personal change.

A passage from Ecce Homo gives us an insight into his style and desired effect:

“I know my fate. One day my name will be associated with the memory of something tremendous — a crisis without equal on earth, the most profound collision of conscience, a decision that was conjured up against everything that had been believed, demanded, hallowed so far. I am no man, I am dynamite.”

The file size is large, please be patient whilst the podcast buffers/downloads/wills itself to power

Contents

Part I. The Life of Nietzsche

Part II. Thus Spoke Zarathustra

Part III. Beyond Good and Evil

Part IV. Further Analysis and Discussion

Episode 53, Friedrich Nietzsche (Part II - Thus Spoke Zarathustra)

Classic Cast.jpg

Welcome to 'Episode 53 (Part II)', where we'll be discussing Nietzsche’s Thus Spoke Zarathustra.

Friedrich Nietzsche (1844-1900), a man who suffered greatly from bodily ills, considered himself somewhat of a physician. Yet, his remedies were not aimed towards physical conditions of the body, but rather the personal and societal ills of his time. Nietzsche, often poetically and rhetorically, dissected what he perceived to be the root of the suffering or apathy many of his contemporaries were facing.

His diagnosis focussed primarily on the human tendency to deny life. Life denying, for Nietzsche, came in many ways: the asceticism of the Buddha or Arthur Schopenhauer, the herd-like mentality of what Nietzsche called “the Last Man”, and most famously – the otherworldly illusions of Christianity. To him, these were all attempts to cower in the face of an objectively indifferent reality.

Nietzsche’s prognosis? To stand in the face of this indifference and shout yes! To affirm life and strive for personal excellence. How he envisioned this is subject to much scholarly debate but Nietzsche provides certain clear themes over his prolific authorship.

His masterwork Thus Spoke Zarathustra suggests we should look forward to the “Ubermensch” or “Superman”, a spiritually healthier individual who approaches the world in an honest and fearless way. Similarly, continuing his claim from The Gay Science, Thus Spoke Zarathustra also reminds the reader that “God is dead”. Nietzsche wanted people to recognise the void in values left by God’s absence and the responsibility we have been given to create our own meaning.

Nietzsche’s legacy is an interesting one. Thus Spoke Zarathustra, along with the Bible, ironically, were given to German soldiers during the First World War. He also, after his death, was accused of being a proto-Nazi due to his sister’s influence over his final posthumous works.

Nietzsche’s thoughts on his own works are remarkable in their irony and grandiosity. He hoped his messages would strike a chord with people and force them to look deep into their own intentions and actions. He also hoped they would provide a basis for personal change.

A passage from Ecce Homo gives us an insight into his style and desired effect:

“I know my fate. One day my name will be associated with the memory of something tremendous — a crisis without equal on earth, the most profound collision of conscience, a decision that was conjured up against everything that had been believed, demanded, hallowed so far. I am no man, I am dynamite.”

The file size is large, please be patient whilst the podcast buffers/downloads/wills itself to power

Contents

Part I. The Life of Nietzsche

Part II. Thus Spoke Zarathustra

Part III. Beyond Good and Evil

Part IV. Further Analysis and Discussion

Episode 53, Friedrich Nietzsche (Part I - The Life of Nietzsche)

Classic Cast.jpg

Welcome to 'Episode 53 (Part I)', where we'll be discussing the life of Friedrich Nietzsche.

Friedrich Nietzsche (1844-1900), a man who suffered greatly from bodily ills, considered himself somewhat of a physician. Yet, his remedies were not aimed towards physical conditions of the body, but rather the personal and societal ills of his time. Nietzsche, often poetically and rhetorically, dissected what he perceived to be the root of the suffering or apathy many of his contemporaries were facing.

His diagnosis focussed primarily on the human tendency to deny life. Life denying, for Nietzsche, came in many ways: the asceticism of the Buddha or Arthur Schopenhauer, the herd-like mentality of what Nietzsche called “the Last Man”, and most famously – the otherworldly illusions of Christianity. To him, these were all attempts to cower in the face of an objectively indifferent reality.

Nietzsche’s prognosis? To stand in the face of this indifference and shout yes! To affirm life and strive for personal excellence. How he envisioned this is subject to much scholarly debate but Nietzsche provides certain clear themes over his prolific authorship.

His masterwork Thus Spoke Zarathustra suggests we should look forward to the “Ubermensch” or “Superman”, a spiritually healthier individual who approaches the world in an honest and fearless way. Similarly, continuing his claim from The Gay Science, Thus Spoke Zarathustra also reminds the reader that “God is dead”. Nietzsche wanted people to recognise the void in values left by God’s absence and the responsibility we have been given to create our own meaning.

Nietzsche’s legacy is an interesting one. Thus Spoke Zarathustra, along with the Bible, ironically, were given to German soldiers during the First World War. He also, after his death, was accused of being a proto-Nazi due to his sister’s influence over his final posthumous works.

Nietzsche’s thoughts on his own works are remarkable in their irony and grandiosity. He hoped his messages would strike a chord with people and force them to look deep into their own intentions and actions. He also hoped they would provide a basis for personal change.

A passage from Ecce Homo gives us an insight into his style and desired effect:

“I know my fate. One day my name will be associated with the memory of something tremendous — a crisis without equal on earth, the most profound collision of conscience, a decision that was conjured up against everything that had been believed, demanded, hallowed so far. I am no man, I am dynamite.”

The file size is large, please be patient whilst the podcast buffers/downloads/wills itself to power

Contents

Part I. The Life of Nietzsche

Part II. Thus Spoke Zarathustra

Part III. Beyond Good and Evil

Part IV. Further Analysis and Discussion

Episode 52, Existentialism and Romantic Love with Skye Cleary (Part II)

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Welcome to 'Episode 52 (Part II)', where we'll be engaging in some further analysis and discussion.

Dr Skye Cleary is a philosopher and author, best known for her work in the field of existentialism. As well as teaching at Columbia, Barnard College and the City College of New York, Skye is also the associate director of the Center for New Narratives in Philosophy at Columbia University.

Skye’s contribution to the world of public philosophy has been extensive, writing for a wealth of publications, including The Paris Review, TED-Ed, the Los Angeles Review of Books, Aeon, Business Insider, The Independent and New Philosopher magazine. Skye is also the editor of the American Philosophical Association blog and the author of our focus for this episode, her 2015 book, Existentialism and Romantic Love.

We’re going to be discussing with Skye the idea of romantic love, and what we can learn about love from existentialist philosophers such as Max Stirner, Soren Kierkegaard, Jean-Paul Sartre, Simone de Beauvoir and Friedrich Nietzsche. In a world of romantic cinema, novels, love songs, dating apps, and self-help books, the dream of romantic love has been sold to many of us, but Skye Cleary thinks we need to take a step back. The worry, is that we might blindly sacrifice our freedom, offload our happiness onto another person, or use them as a means to our own ends. Existentialism teaches us that we should aim to live authentically and embrace our freedom. Our question for this episode, is whether or not our current understanding of romantic love is compatible with such a view. Can Jack meet Jill fall in love, and not fall down the hill? Should we, can we, and why, should we love?

The file size is large, please be patient whilst the podcast buffers/downloads/falls in romantic love

Contents

Part I. Existentialism and Romantic Love.

Part II. Further Analysis and Discussion.

Episode 52, Existentialism and Romantic Love with Skye Cleary (Part I)

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Welcome to 'Episode 52 (Part I)', where we'll be discussing Skye Clearly’s 2015 book, Existentialism and Romantic Love.

Dr Skye Cleary is a philosopher and author, best known for her work in the field of existentialism. As well as teaching at Columbia, Barnard College and the City College of New York, Skye is also the associate director of the Center for New Narratives in Philosophy at Columbia University.

Skye’s contribution to the world of public philosophy has been extensive, writing for a wealth of publications, including The Paris Review, TED-Ed, the Los Angeles Review of Books, Aeon, Business Insider, The Independent and New Philosopher magazine. Skye is also the editor of the American Philosophical Association blog and the author of our focus for this episode, her 2015 book, Existentialism and Romantic Love.

We’re going to be discussing with Skye the idea of romantic love, and what we can learn about love from existentialist philosophers such as Max Stirner, Soren Kierkegaard, Jean-Paul Sartre, Simone de Beauvoir and Friedrich Nietzsche. In a world of romantic cinema, novels, love songs, dating apps, and self-help books, the dream of romantic love has been sold to many of us, but Skye Cleary thinks we need to take a step back. The worry, is that we might blindly sacrifice our freedom, offload our happiness onto another person, or use them as a means to our own ends. Existentialism teaches us that we should aim to live authentically and embrace our freedom. Our question for this episode, is whether or not our current understanding of romantic love is compatible with such a view. Can Jack meet Jill fall in love, and not fall down the hill? Should we, can we, and why, should we love?

The file size is large, please be patient whilst the podcast buffers/downloads/falls in romantic love

Contents

Part I. Existentialism and Romantic Love.

Part II. Further Analysis and Discussion.

Episode 51, Simone de Beauvoir (Part IV - Further Analysis and Discussion)

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Welcome to 'Episode 51 (Part IV)', where we'll be engaging in some further analysis and discussion.

Simone de Beauvoir was a pioneer for the second-wave feminist movement and one of the most famous philosophers to have lived. Strikingly, Beauvoir did not label herself as a philosopher, since she never attempted to provide an original treatise which aimed to fully encapsulate the truth of the world or the human condition. Instead, she considered herself as a writer, commentator and novelist. Beauvoir’s identification should not, however, discredit her as a philosopher. Jean-Paul Sartre’s work on existentialism is heavily indebted to Beauvoir’s careful eye and scholarly expertise, and her book The Ethics of Ambiguity, is considered by many as one of the most significant texts in moral philosophy and existentialism; the ethical text which Sartre promised, but never produced.

Simone de Beauvoir’s most famous text is The Second Sex; a detailed examination on what it means to be a woman through the lens of existentialism. The Second Sex was highly controversial at the time of its publication; receiving backlash from certain areas of male-dominated academia and the press. Nevertheless, it is still considered to be one of the greatest works in feminist philosophy.

The file size is large, please be patient whilst the podcast buffers/downloads/embraces its freedom

Contents

Part I. The Life of Simone de Beauvoir.

Part II. The Ethics of Ambiguity.

Part III. The Second Sex.

Part IV. Further Analysis and Discussion.

Episode 51, Simone de Beauvoir (Part III - The Second Sex)

Classic Cast.jpg

Welcome to 'Episode 51 (Part III)', where we'll be discussing Simone de Beauvoir’s most famous work, The Second Sex.

Simone de Beauvoir was a pioneer for the second-wave feminist movement and one of the most famous philosophers to have lived. Strikingly, Beauvoir did not label herself as a philosopher, since she never attempted to provide an original treatise which aimed to fully encapsulate the truth of the world or the human condition. Instead, she considered herself as a writer, commentator and novelist. Beauvoir’s identification should not, however, discredit her as a philosopher. Jean-Paul Sartre’s work on existentialism is heavily indebted to Beauvoir’s careful eye and scholarly expertise, and her book The Ethics of Ambiguity, is considered by many as one of the most significant texts in moral philosophy and existentialism; the ethical text which Sartre promised, but never produced.

Simone de Beauvoir’s most famous text is The Second Sex; a detailed examination on what it means to be a woman through the lens of existentialism. The Second Sex was highly controversial at the time of its publication; receiving backlash from certain areas of male-dominated academia and the press. Nevertheless, it is still considered to be one of the greatest works in feminist philosophy.

The file size is large, please be patient whilst the podcast buffers/downloads/embraces its freedom

Contents

Part I. The Life of Simone de Beauvoir.

Part II. The Ethics of Ambiguity.

Part III. The Second Sex.

Part IV. Further Analysis and Discussion.

Episode 51, Simone de Beauvoir (Part II - The Ethics of Ambiguity)

Classic Cast.jpg

Welcome to 'Episode 51 (Part II)', where we'll be discussing Simone de Beauvoir’s Ethics of Ambiguity.

Simone de Beauvoir was a pioneer for the second-wave feminist movement and one of the most famous philosophers to have lived. Strikingly, Beauvoir did not label herself as a philosopher, since she never attempted to provide an original treatise which aimed to fully encapsulate the truth of the world or the human condition. Instead, she considered herself as a writer, commentator and novelist. Beauvoir’s identification should not, however, discredit her as a philosopher. Jean-Paul Sartre’s work on existentialism is heavily indebted to Beauvoir’s careful eye and scholarly expertise, and her book The Ethics of Ambiguity, is considered by many as one of the most significant texts in moral philosophy and existentialism; the ethical text which Sartre promised, but never produced.

Simone de Beauvoir’s most famous text is The Second Sex; a detailed examination on what it means to be a woman through the lens of existentialism. The Second Sex was highly controversial at the time of its publication; receiving backlash from certain areas of male-dominated academia and the press. Nevertheless, it is still considered to be one of the greatest works in feminist philosophy.

The file size is large, please be patient whilst the podcast buffers/downloads/embraces its freedom

Contents

Part I. The Life of Simone de Beauvoir.

Part II. The Ethics of Ambiguity.

Part III. The Second Sex.

Part IV. Further Analysis and Discussion.